(Violet and Finch live, fortunately for all involved, in the sort of romantic universe where his throwing rocks at her window in the middle of the night comes off more charming than stalker-esque.) The teens alternate narration chapter by chapter, each in a unique and well-realized voice. Following their meeting in the school bell tower, Finch makes it his mission to re-engage Violet with the world, partially through a school project that sends them to offbeat Indiana landmarks and partially through simple persistence. Finch, known to his classmates as "Theodore Freak," is famously impulsive and eccentric. Violet, a writer and member of the popular crowd, has withdrawn from her friends and from school activities since her sister died in a car accident nine months earlier. Two struggling teens develop an unlikely relationship in a moving exploration of grief, suicide and young love.
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Major characters are White.Īn eerie thriller reminiscent of summer horror movies that will keep readers on edge. While the strong buildup of action comes late, it leads to a shockingly satisfying finale. Discussions of adulthood, trauma, and recovery are subtle and realistic, but acts of sexism and machismo aren’t fully analyzed. Similarly, Esme’s first-person point of view allows for increased tension and action as well as offering insight into her emotional and mental well-being. The slow buildup of suspense and the use of classic horror elements contrast with lighthearted camp activities, bonding with new friends, and budding romance. Paranoia and fear soon cause Esme and Kayla to revisit their ominous secret and realize that nobody in the camp can be trusted. But when a threatening message appears, Esme and Kayla realize the secret they’ve kept hidden for nearly a decade is no longer safe. An intuitive 17-year-old, Esme is ready to jump in and teach her cute little campers. Even Andy, their straight-laced supervisor, can’t dampen their excitement, especially after they meet the crushworthy Olly and Jake. Two teens with a dark secret return to their old summer camp.Ĭhildhood friends Esme and Kayla can’t wait to return to Camp Pine Lake as counselors-in-training, ready to try everything they couldn’t do when they were younger: find cute boys, stay up late, and sneak out after hours. Aside from the Quileutes and the occasional background character, the cast defaults to White.Ī love letter to fans who will forgive (and even revel in) its excesses and indulgences. After the action of the climax starts in earnest, though, it leans more into summary and monologue to get to the well-known ending.
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Once the vampiric threat from James’ storyline kicks off, vampire maneuvering and strategizing show off the interplay of the Cullens’ powers in a fresh way. The deeper, richer characterization of the leads comes at the expense of the secondary cast, who (with a few exceptions) alternate primarily along gender lines, between dimwitted buffoons and jealous mean girls.
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Bella benefits from being seen without the curtain of self-deprecation from the original book, as Edward analyzes her every action for clues to her personality. Meyer doesn’t shy away from making Edward far less sympathetic than Bella’s view of him (and his mind reading confirms that Bella’s view of him isn’t universal). The glacial pace and already familiar plot points mean that instead of surprise twists, characterization reigns. Edward’s broody inner monologue allows readers to follow every beat of his falling in love.
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A long-awaited Twilight (2005) companion novel told from vampire Edward’s point of view.Įdward Cullen, a 104-year-old vampire (and eternal 17-year-old), finds his world turned upside down when new girl Bella Swan’s addictive scent drives a primal hunger, launching the classic story of vampire-meets-girl, vampire-wants-to-eat-girl, vampire-falls-in-love-with-girl.